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Bas Atelier

A creative practice of form, texture and light

Designer Spotlight Feb. 26, 2024
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BAS Atelier is a creative practice co-founded by architect duo Luis Ignacio Figallo and Patrisa Pruthi, inspired by the ancient decorative technique of low or ‘bas’ relief.

Born out of a lifelong interest in form, texture, and light, the works are focused around craftsmanship – each bas-relief is individually designed, carved, and painted by hand in the Miami studio.

Painting a relief using limewash paint, made from crushed limestone, water, and natural pigments.

The careful application of limewash layers onto the bas-reliefs creates nuanced textures that allow viewers to appreciate the delicate interactions of light over the carved wood planes.

As an architect, what inspired you to start your creative practice at BAS Atelier?

BAS Atelier emerged from a deep-seated fascination with light, texture, and form– elements that lie at the centre of our connection to the built environment. Light plays the central role in the essence of the pieces. The intricate textures and interplay of forms in the bas-reliefs come to life as natural light dances and evolves, casting dynamic shadows that transform throughout the day.

How does your background in architecture influence the way in which you approach your bas-reliefs?

The pieces embody a balance between transience and rootedness, resonating with both the fleeting beauty of nature and the enduring structures of architecture. A profound admiration for the natural world informs the process, composition, and cadence of the reliefs.

Architect Luis Ignacio Figallo of BAS Atelier

The pieces resonate
with both the fleeting
beauty of nature and the
                  enduring structures
                  of architecture.”

What does your process look like?

The designs materialize through a reflective process of studying and documenting natural patterns, which are then interpreted into a sequence of emotive, spontaneous sketches. Each artwork evolves organically through an instinctive sketching technique, subsequently carved into reclaimed wood panels to different depths, and hand painted with meticulous coats of lime wash pigment.

What materials do you use?

Materiality plays a pivotal role in the artwork. The limewash paint is made from crushed limestone, water, and natural pigments. I’m drawn to this medium not just for its aesthetic properties, but also for its breathability and ability to age gracefully, developing a beautiful patina over time. The careful application of limewash layers onto the bas-reliefs creates nuanced textures that allow viewers to appreciate the delicate interactions of light over the carved wood planes.

The careful application of limewash layers onto the bas-reliefs creates nuanced textures that allow the delicate interactions of light over the carved wood planes.

Each element and shape
seeks to create a visual
and formal balance that
              bridges the transient
              with the terrestrial.”
Bas Relief No. 3
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What inspires your reliefs?

My latest works were conceived while observing the nuanced patterns found in eroded natural and urban environments. Through carving, this inspiration is translated into a series of abstract compositions. Each element and shape seeks to create a visual and formal balance that bridges the transient with the terrestrial.

Bas relief is an ancient artistic technique that was practiced by the Egyptians, Greeks and Romans. How has your work drawn upon the technique’s vast and cross-cultural history?

Bas-relief, also known as low-relief, stands as one of humanity’s earliest forms of artistic expression, dating back as far as 30,000 years ago in caves and stone structures. It has evolved throughout the years into a diverse range of sculptural expressions. In my work, I aim to channel my passion for nature through this medium, creating a contemporary yet enduring aesthetic that through its relationship with light, speaks to the passage of time.

BAS Atelier on display at the Elte showroom